Monday, September 21, 2015

Longings

Published by Kistner und Siegel:

* Longings

      A duet for Piano and Violin in one movement.
The steady underlying quarter note rhythm of the piano throughout much of the song provides an almost hypnotic effect over which the violin raises questions and hopes. There is the initial "longing" which grows into a more petulant and vocal whine before subsiding into a deep resignation. It is the music of a man staring out a rain-spattered window, contemplating many things that had been or almost were.

Click here to listen to the computer performance.  NOTE: you will have to search the list within the SoundClick link to find the individual movements since that site has changed their format.


Reviews:  Staring at the rain from a glass window, immersed in thought

   An intriguing piece of music for piano and violin. It begins like a kind of an aria with an interesting tune and a fair bit of chromaticism which sometimes generates surprises, such as in bar 13. I would like to know what inspired this piece, because it has quite a sombre mood. This is confirmed by the title ("Longings") and indications in the score ("with much feeling", "sighing" and "resignation"). I have the theory that these longings are of a spiritual nature, rather than not.
The opening movement is hinted at in the program note as being "Slow and plodding". This is not an entirely inappropriate description. The piano accompaniment is quite uniform: one note in every beat of the 4/4 metre — very constant in rhythm, and one wonders if the music would benefit from a greater use of syncopation and suspension to make the piano part more attention-grabbing. But then, perhaps that would not be what is intended, as the music succeeds in generating a certain eerie and almost hypnotic feeling.
By bar 40 the accompaniment's basic rhythm begins to change a bit, and at 62 a contrasting section commences, immediately delivering a more threatening kind of sound, as the music gets progressively more disturbed (never loosing its basic restraint, though).
The music concludes very quietly, perhaps giving the feeling that the longings have not been entirely resolved, the ending being "resigned and sullen" as hinted in the program note? certainly no happy ending here. I liked very much the glissando at bar 123 *, which was in the right place of the music to impact emotionally. In summary, I find this piece to be quite sad and resigned, like staring at the rain from a glass window immersed in thought about old dreams, the unfulfilled promises of youth, the longing for answers about the loneliness of the human condition in this world. I felt that the piece had interesting harmonic twists but that it could benefit from more rhythmic variety and more strongly contrasting sections but I found it interesting enough to keep my attention. That's why I can say that, personally, I liked it.

~ Jordi Vives i Batlle

* Note: the glissando mentioned in the above review did not show up on this computer playback.  It would have been between the second to last note, a high G, and the last note, a G one octave lower.

Back to the complete list of published music.

Passages of Time

Published by Kistner und Siegel:

* Passages of Time

  A duet for Piano and Flute in four movements.
I do have a recording of this being performed by Flute and Piano, but the recording was on an old cassette tape and was of poor quality.  I'm not putting it on the web.  Period.  Instead I have three of these movements recorded as performed with Violin and Piano.  The violinist said there was no way she could work up the second movement.  Far too flute-like and demanding of all but the most advance violinist.

All four movements run almost 17 minutes, the last movement being the longest.  The second movement is the most demanding in terms of the flute part (tonguing) and the piano part (getting all the notes in with the right rhythm). NOTE: you will have to search the list within the SoundClick link to find the individual movements since that site has changed their format.


Reviews:  Music of a man at peace with the world

   After hearing the first bars of this piece it became quite clear to me that the best I could do was not to try to "analyse" it, but instead to allow myself to be surrounded and transported by this beautiful music. I experienced a range of subtle, warm, delicate emotions while listening to this piece as the sinuous line melodic lines of the flute and the enchanting piano accompaniments unfolded. Perhaps the best way to describe this feeling is that I felt as if I was beginning to soar in the air, like a bird learning to fly, gliding higher and higher above the land and watching the calm sea, and the diffuse line of the horizon. Passages of Time is the music of a man at peace with what lies ahead and what has slipped into eternity behind us. It is the music of a man on a journey, who has found his sense of purpose and can bid farewell with sweet melancholy without striving desperately for the unattainable. In some way this music encapsulates our human experience and our ability to move forward and let our memories fly over the horizon without casting them away from our soul. 
~ Jordi Vives i Batlle

UPDATE:
Here are the recordings as done  by flute and piano.  This had to have been from the early 1990s or the late 1980s.  Sound quality is a bit spurious, but is sufficient to allow the listener to image how I had originally envisioned the music.

Tripping

Published by Kistner und Siegel:

* Tripping

  A Wind Quintet originally written for the 60 x 60 project and it was accepted in 2008.  Since this piece is under 60 seconds long, I cannot think of this as being a full, formal Wind Quintet, but instead a Breeze Quintet.  It is light and playful like a breath of early Summer.  Tripping is a light-hearted interplay between instruments, filled with musical humor.

Click here for link to the computer performance.  NOTE: you will have to search the list within the SoundClick link to find the individual movements since that site has changed their format.



Review
  Pleasant Whimsy

   I hear a pleasant little whimsy—interesting gestures, rhythmic interplay and tonal sound world. This composer shows some promise.  }:¬)

~David Carter

Unconventional & Engaging!

This "Breeze Quintet" is quite fitting of the title "Tripping". David has written lines which almost all descend, and by passing them from higher to lower voices gives a sense of a slow fall over the course of the piece.

The harmony is most unconventional, and a welcome change from the often bland harmonic language present in today's music, and adds to the programmatic nature of the piece, giving a sense of uncertainty to the slow descent.

A fine work, David!

~ Jonathan Loving

Back to the complete list of published music.

Dancing Night Wind

Published by Echelon Music:

 *     Dancing Night Wind
  A flute solo, but the best recording I have of it is by Charlie Brighton who heard the piece and thought he could do a grand job with it as a solo tuba piece.  I think he did an outstanding job.  (He reviewed the piece; see below.)

    Listen here.

This piece was premiered in Sacramento in 2011, by Maquette Kuper, who is the director of the Davis Youth Flute Choir.

Reviews
 A flute's magic flight

With due apologies to Herr Mozart for the headline, this is ravishing music for a solo flute. Full of dance-like figurations, subtle changes in rhythm, lyrical episodes and dream-like reveries. The technical demands are self-evident along with the challenge of combining and balancing pace and poise in such a carefully written piece. Highly satisfying. 
~ Cedric Peachey

 Brilliant

A wonderful piece, full of atmosphere, great fun to play and listen to.  I featured it in my Euphonium recital and the live recording can be heard here, played in concert C, with a few octave changes.

Best wishes,
~ Charley Brighton, BBC Winds, London

Back to the complete list of published music.

Music....

Well, this is rather interesting: I have music that is or is being published.
Seven pieces published by the German publishing company, Kistner und Siegel.
And one piece by Echelon Music.

I have been asked to provide links to sound files so that each of these could be heard in some form.  Remember, I cannot show the musical scores, but I can showcase the musical performances.  This blog entry will also allow me to collect comments and reviews that some of these pieces have received over the past decade or so.

That any of these pieces came into being is truly a gift from God.  I am the unworthy recipient of His grace and any talents that I may have.  And to think that somehow some of this music connects to other people and touches them by listening is really, really humbling!



     Inspiration
Even as I sit here
In deep wonderment I am;
It's something between awe
And ad nauseam!
     Yet not that—but puzzlement.

I am not myself,
But another, yet unknown;
It is something in my finger
That I would seek to disown.
     Yet not that—but imprisonment.

I would that I could control it
(It from my stylus pours);
It must be tamed somehow,
Lest I myself deplore.
     Yet not that—but penitent.

This scourge that from my finger flows
Is sampled here upon this page;
It comes and keeps on coming—
I would to put it in a cage!
     Yet not that—but banishment.

But I reckon that it's here stay,
So I'll let it do its thing;
I'll let it pour out on paper
All its foolish clamorings.
     Yet not that—but accomplishments!

So I'll use this Gift from God
(He by His Grace bestowed it);
I'll nurture it and cherish it
And be a real composer-poet.
     Yet not that—but His instrument!

- D. Benning
02-Dec-1982



Here is the list of published music.  Click on each to go to a separate page describing the piece, complete with reviews and links to a recording of a performance.