Monday, September 21, 2015

Longings

Published by Kistner und Siegel:

* Longings

      A duet for Piano and Violin in one movement.
The steady underlying quarter note rhythm of the piano throughout much of the song provides an almost hypnotic effect over which the violin raises questions and hopes. There is the initial "longing" which grows into a more petulant and vocal whine before subsiding into a deep resignation. It is the music of a man staring out a rain-spattered window, contemplating many things that had been or almost were.

Click here to listen to the computer performance.  NOTE: you will have to search the list within the SoundClick link to find the individual movements since that site has changed their format.


Reviews:  Staring at the rain from a glass window, immersed in thought

   An intriguing piece of music for piano and violin. It begins like a kind of an aria with an interesting tune and a fair bit of chromaticism which sometimes generates surprises, such as in bar 13. I would like to know what inspired this piece, because it has quite a sombre mood. This is confirmed by the title ("Longings") and indications in the score ("with much feeling", "sighing" and "resignation"). I have the theory that these longings are of a spiritual nature, rather than not.
The opening movement is hinted at in the program note as being "Slow and plodding". This is not an entirely inappropriate description. The piano accompaniment is quite uniform: one note in every beat of the 4/4 metre — very constant in rhythm, and one wonders if the music would benefit from a greater use of syncopation and suspension to make the piano part more attention-grabbing. But then, perhaps that would not be what is intended, as the music succeeds in generating a certain eerie and almost hypnotic feeling.
By bar 40 the accompaniment's basic rhythm begins to change a bit, and at 62 a contrasting section commences, immediately delivering a more threatening kind of sound, as the music gets progressively more disturbed (never loosing its basic restraint, though).
The music concludes very quietly, perhaps giving the feeling that the longings have not been entirely resolved, the ending being "resigned and sullen" as hinted in the program note? certainly no happy ending here. I liked very much the glissando at bar 123 *, which was in the right place of the music to impact emotionally. In summary, I find this piece to be quite sad and resigned, like staring at the rain from a glass window immersed in thought about old dreams, the unfulfilled promises of youth, the longing for answers about the loneliness of the human condition in this world. I felt that the piece had interesting harmonic twists but that it could benefit from more rhythmic variety and more strongly contrasting sections but I found it interesting enough to keep my attention. That's why I can say that, personally, I liked it.

~ Jordi Vives i Batlle

* Note: the glissando mentioned in the above review did not show up on this computer playback.  It would have been between the second to last note, a high G, and the last note, a G one octave lower.

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